Valeria Luiselli

"Gustavo 'Highway' Sanchez Sanchez is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the 'Notorious Infamous' like Plato, Petrarch, Chesterton, and Virginia Woolf. Written in collaboration with the workers at a juice factory, 'The story of my teeth' is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences...

"Structured around the forty questions Luiselli translates and asks undocumented Latin-American children facing deportation, Tell Me How It Ends (an expansion of her 2016 Freeman's essay of the same name) humanizes these young migrants and highlights the contradiction of the idea of America as a fiction for immigrants with the reality of racism and fear--both here and back home"-- Provided by publisher.

Un matrimonio en plena crisis viaja en coche con sus dos hijos pequeños desde Nueva York hasta Arizona. Ambos son documentalistas y cada uno se concentra en un proyecto propio: él está tras los rastros de la última banda apache; ella busca documentar la diáspora de niños que llega a la frontera del país en busca de asilo. Mientras el coche familiar atraviesa el vasto territorio norteamericano, los dos niños escuchan las conversaciones e historias...

Carretera no siempre fue este showman eminente. Antes de convertirse en subastador ejerció como vigilante en una fábrica de jugos durante muchos años, hasta que el ataque de pánico de una compañera de trabajo cambió su vida de manera irremediable. En el tránsito hacia su destino Carretera deberá enfrentarse a la ira de un hijo al que ha abandonado, llevar a cabo una subasta para ayudar a un cura a salvar su iglesia, y realizar a manera de...

The O. Henry Prize winners contains twenty prizewinning stories chosen from the thousands published in magazines over the previous year.

Why are Mexicans so successful in individual sports, but deficient in team play? Why do Mexicans dislike living in skyscrapers? Why do Mexicans love to see themselves as victims, but also love victims? And why, though the Mexican people traditionally avoid conflict, is there so much violence in a country where many leaders have died by assassination? Castañeda examines the future possibilities for Mexico as it becomes more diverse in its regional...

La Calle brings together more than thirty years of photography from the streets of Mexico by Alex Webb, spanning 1975 to 2007. Whether in black and white or color, Webb's richly layered and complex compositions touch on multiple genres. As Geoff Dyer writes, "Wherever he goes, Webb always ends up in a Bermuda-shaped triangle where the distinctions between photojournalism, documentary, and art blur and disappear." Webb's ability to distill gesture,...