The origins of cinema and the grammar of film
Film imagery and the theory of montage
Storytelling in the 1930s and Stagecoach
Citizen Kane: an American masterpiece
World War II and the cinema of community: Casablanca; Now, Voyager; and It's a Wonderful Life
Noir and neorealism: Bicycle Thieves and On the Waterfront
Love and the mirror of death: Alfred Hitchcock's Vertigo
Widescreen: The world writ large and intimate: The Apartment
The new wave in France: The 400 Blows and Week-end
The American new wave I: Politics and family: The Godfather
The American New Wave II: The social canvas: Nashville
The rule of the blockbuster: Star Wars and Raiders of the Lost Ark
Gender, race and the varieties of cinematic experience: Vagabond, Do the Right Thing, and Lone Star
The contemporary maverick: Goodfellas, Million Dollar Baby, Persepolis.
From the Pre-loaded Audio - Unabridged.
The origins of cinema and the grammar of film
Film imagery and the theory of montage
Storytelling in the 1930s and Stagecoach
Citizen Kane: An American masterpiece
World War II and the cinema of community: Casablanca, Now, Voyager, and It's a wonderful life
Noir and neorealism: Bicycle thieves and On the waterfront
Love and the mirror of death: Alfred Hitchcock's Vertigo
Widescreen: The world writ large and intimate: The apartment
The new wave in France: The 400 blows and Week-end
The American new wave I: Politics and family: The godfather
The American new wave II: The social canvas: Nashville
The rule of the blockbuster: Star wars and Raiders of the lost ark
Gender, race, and varieties of cinematic experience: Vagabond, Do the right thing, and Lone star
The contemporary maverick: Goodfellas, Million dollar baby, Persepolis.