From the DVD - Third edition.
Lecture 1: Music as a mirror
the ancient world and the early church
Lecture 3: The Middle Ages
Lecture 4: Introduction to the Renaissance
Lecture 5: The Renaissance Mass
Lecture 7: An introduction to the Baroque Era
Lecture 8: Style features of Baroque-era music
Lecture 9: National styles
Lecture 11: Baroque opera, part 1
Lecture 12: Baroque opera, part 2
Lecture 14: The Lutheran Church cantata
Lecture 16: Ritornello form and the Baroque concerto
Lecture 17: The Enlightenment and an introduction to the classical era
Lecture 18: The Viennese classical style
Lecture 19: Classical-era form
Lecture 20: Classical-era form
Minuet and trio : Baroque antecedents
Lecture 21: Classical-era form
Lecture 22: Classical-era form
Lecture 23: Classical-era form
Lecture 24: Classical-era form
Lecture 25: Classical-era form
Lecture 27: The solo concerto
Lecture 28: Classical-era opera
Lecture 29: Classical-era opera, part 2
Mozart and the operatic ensemble
Lecture 30: The French Revolution and an introduction to Beethoven
Lecture 31: Beethoven's Symphony no. 5 in C Minor, op. 67, part 1
Lecture 32: Beethoven's Symphony no. 5 in C Minor, op. 67, part 2
Lecture 33: Introduction to Romanticism
Lecture 34: Formal challenges and solutions in early romantic music
Lecture 35: The program symphony
Berlioz's Symphonie fantastique, part 1
Lecture 36: The program symphony
Berlioz's Symphonie fantastique, part 2
Lecture 37: 19th-century Italian opera
Lecture 38: 19th-century Italian opera
Lecture 39: 19th-century German opera
Nationalism and experimentation
Lecture 40: 19th-century German opera
Lecture 41: The concert overture, part 1
Lecture 42: The concert overture, part 2
Lecture 43: Romantic-era musical nationalism
Lecture 44: Russian nationalism
Lecture 45: An introduction to early 20th-century modernism
Lecture 46: Early 20th-century modernism
Lecture 47: Early 20th-century modernism
Lecture 48: Early 20th-century modernism