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Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class...
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In civil-rights-era Chicago, a dedicated group of black activists, educators, and organizations employed black public history as more than cultural activism. Their work and vision energized a black public history movement that promoted political progress in the crucial time between World War II and the onset of the Cold War. Ian Rocksborough-Smith's meticulous research and adept storytelling provide the first in-depth look at how these committed individuals...
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"Most Americans would agree that devoted wives and mothers make families strong and that strong families are the bedrock of society. Yet, throughout this nation's history, black women have managed to become model mothers and wives, but their doing so has not kept them from being mistaken for "welfare queens" and "baby mamas," the stereotypes that most consistently shape U.S. public policy. In this book, Koritha Mitchell shows the evolving connections...
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"The project explores the history of the Black Arts Movement through the experience of activist and organizer, Hoyt W. Fuller (1923-1981). In the first book to document and analyze Fuller's profound influence on the movement, Fenderson attends to the paradox between Fuller's central role in the Movement and his marginal place in African-American historiography. The project rethinking both the Black Arts Movement and the broader Black cultural politics...
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"Innovative and lavishly illustrated, 'Painting the Gospel' offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, [she] explores...
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"In 1904, political operator and gambling boss Robert T. Motts opened the Pekin Theater in Chicago. Dubbed the "Temple of Music," the Pekin became one of the country's most prestigious African American cultural institutions, renowned for its all-black stock company and school for actors, an orchestra able to play ragtime and opera with equal brilliance, and a repertoire of original musical comedies. A missing chapter in African American theatrical...
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"This project traces how architectures of confinement, policing, surveillance, migration, and mass incarceration orient and imbue Black male bodies and gender performance with the stigmata of carceral punishment. As the northern city with the largest 20th century influx of southern Blacks, Chicago provides a powerful case study to understand how urban planning, architecture, crowded living quarters, surveillance, and policing function to regulate...